Hopi Kachinas and Philip Curtis

Philip Curtis “The Ticket Office” courtesy of  the Smithsonian Institution

This winter while back in Phoenix, the city I was born and raised in, I was struck that their are two clear influences that I can come up with that I know inspired me visually as a child and subsequently the artist I have become today.

A work of Philip Curtis at the Phoenix Art Museum

One is the artist Philip Curtis.  One of the key players in the building of the Phoenix Art Museum fifty years ago when it first opened its doors, his work was a common feature of their collection.  Now if you visit the Phoenix Art Museum you’ll find a whole room dedicated to him near the cafe.  I would categorize Curtis as a surrealist along the lines of de Chirico with a habit of rendering figures and scenarios from the 19th century.  Not recognized widely outside of Arizona, as a child I know I got lost in the narratives and the mysterious aspects of his work.  Each painting seemed to be some kind of puzzle I had to figure out.  Curtis is in addition was a painters painter, and his work clearly shows a dedication to craftsmanship and accuracy in rendering.

I poked around on line for some work of his and was unable to find a good “large site”  but here are some places you can find some of his paintings:

http://www.artcyclopedia.com/artists/curtis_philip.html

http://www.askart.com/askart/c/philip_campbell_curtis/philip_campbell_curtis.aspx

Hopi Kachina, c. 1960, Chakwaina’s Uncle (The title of this is interesting, in that on occasion kachinas were created after a good person passed away.)

Another early influence of mine is the katchina dolls (now often called katsinas) of the Hopi people of Northern Arizona.  As a child once a year we would attend the “Smoki day’s” events in Prescott and would watch snake dances and other native people at their crafts.  The kachinas fascinated me with their hybrid human/animal bodies, bold colors, patterns and sheer mystery.  As a child I was struck that they clearly were special or sacred, and yet they had such a delightful toy-like quality to them.  I got several katchinas as a child only to destroy them years later fearing they could be possessed by demons- my apologies to the Hopi people.

As an artist I feel I am on a trajectory that brings me back to places I’ve been before as I continue to create work (often even without me being aware of it).  I have found myself looking at both of these influences again as of late.  We’ll see where that could lead.

Here’s a couple of websites:

http://www.hopiart.com/kachina.htm

http://www.hopikachina.com/

Portfolio of Hopi kachinas by Homer H. Boelter Hollywood, Calif. : H. H. Boelter Lithography, [1969) from the Goldwater Library

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About abiggerworldyet

Visual Artist Brother Sojourner College Professor Christ follower
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